The Eternal Spiral
From the life of birding, that sometimes is a shadow of few or many words resembling silence under the trees, come the syllables of her singing and throws us back into the eternal spiral where the Lady in White appears and disappears, lost in between her days of plenty and her eves of nothing. And in that way, someday, we will be able to hear the crackle of the ovens where the pulses and the times and the accents of the unknown are created: because «in most cases, we know nothing», at least we possess the forgotten memory of a lost song.
Olivo centenario–Centenarian Olive
The elusive form of clouds
Mojones esculpidos—Sculpted Milestones
When olives and granite evoke eternity
The sculpture work Carlevaro develops at the olive grove, an authentic visual poem expressed in granite words and verses, blends in suggestive and evocative harmony with the surroundings, where the transformative reorganization of the space prompted by agriculture, flirts with suggestion and revelation, with the magic of the arts, embellishing in its way the contemplative spectator that lives and breathes it.
Different Labels… Corks Cardboards of boxes…
Create a Unique formula…
A Non-decipherable alchemy…
It is the ceiling That takes All those
elements To a spiritual world…
Saturated with formulas For a few A
mystery of plastic art And taste…
Granite words and verses
In this scenery, on one side, the resilient obstinacy that entails the farming labor to turn the uncivilized field into productive olive groves—the humanization of the landscape—and, on the other side, the intense, tough work that represents sculpting granite; they come together in a creative alliance, back to the origins of our civilization, recalling the classic antiquity when vine and olive, together with art and thought, set the material and spiritual basis of Western Europe.
The character of this establishment, the landscape, natural and cultivated at the same time in apparent contradiction, suggested me that the artwork to be introduced in such a unique space should share its antagonism, should integrate with it and, at the same time, typify it. The integration with the landscape perceived through the artwork is sought, as well as the transparency, in constant dialogue with the observer and the space; an artwork with size to scale to fit the meaningful location of the establishment to which it belongs.
This construction was envisaged as a great sculpture and narrative volume; the form, deeply grounded on the land, raises and becomes lighter with a small conical effort over the circular trunk. The vertical design of the winery allows for gravity-flow winemaking, the most traditional and respectful way of wine production; its walls and openings provide natural lightning which is priceless for the work in the winery.
An archetypal mill design; big cement boards with stained-glass windows—whose flashes can be seen from the field—act as walls of an architectural volume designed according to its industrial purpose. The olive mill was made with cutting edge technology and its design enables an oil production process of excellence that prioritizes quality over quantity.
It is a prizewinning construction. The World Architecture Festival held at Singapore in 2015 awarded it with the first place in the category Production, Energy & Recycle.
An old large house built on the early 20th century with an elegant French style, recycled by Architect Marcelo Daglio, where art, architecture and design blend.
In the first floor and mezzanine the warmth of the wood and the contemporary design prevail; the meticulous illumination connects them to the artworks placed there. A deep fusion between art and architecture is experienced in this space; among them, José Pelayo’s intervention of the first-floor ceilings stands out.